The Machine's Needs.

Tesseract [18]

Exclusive Read Exclusive Write [1]

The Book of Sand. [2]

The book that you write, to discover. [52]

A parallel, yet uneven, processing. [48]

The eyes, windows. [34]

(is) lack of recourse [47]

Options exist. [3]

When I looked at the sky, I saw clouds forming chains. [63]

My spine is broken. [1]

The Book of Glass. [21]

[F]ACE [31]

An ethics in which the artist is perceived as enemy. [39]

I am going to persist
in this evasion. [13]

"The entire current 'psychological' situation is characterized by this short-circuit." [14]

Amphimixis [46]

Trying to tell you something. [9]

A consuming fire. [29]

What you know does not matter, even if you knew. [45]

What you want is that, present or absent, [I]ts status is certain. [3]

Please be aware of these risks. [19]

The capacity to punish. [42]

Order as arbitrary. [47]

Options exist to disguise the lack of options. [42]

The option that disturbs most thoroughly. [53]

Moving further away, to be shrouded in vellum. [43]

A war of each against all. [31]

An aesthetics in which the audience is perceived as enemy. [4]

The illuminated book, painted with metal and bound in skin. [43]

Eventually, new forms: evolutions of the original strain. [58]

The possibility of determination. [55]

The perfect failure. The machine that directs force into nullity, motion into stillness, energy into void. [63]

My ribs are splayed open like wings. [64]

But are mistaken. [1]

The Book of Fire. [17]

The machine that will never think. [4]

The human and the machine as symbiotic, cyborg. [35]

The cyborg as fiction, not science. [13]

"Neither the book nor the sand has any beginning or end." [57]

Those who process the poem, to some effect: catalysts for mutation. [60]

What you want is to proceed, in some fashion: through the book, through the poem, through the world: and for this procession to seem motivated, to possess or develop meaning. [39]

If you are going to insist
on a poem, [1]























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Methodology

Colophon

This online application automatically generates rule-abiding nonlinear readings of Ex Machina, as originally written by Jonathan Ball, whose first print edition was published by BookThug in 02009.

This literary stress-test assists in performing a qualitative analysis under the following hypothesis: nonlinear constructions of Ex Machina are semantically and poetically inferior to the first linear construction. The methodology is adjustable due to lack of instruction in the original text, but the current simulation available is limited due to media porting instability. (In this case, a textuality deficiency with regards to physical media.)

The equivalent null-hypothesis would therefore state that rule-abiding nonlinear structures would make an equal or greater amount of sense as a linear reading of the original manuscript.

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