I Am Going To Persist
in This Evasion.

The illusion of cause and effect: from above, a line; from beyond, a collapsed point. [12]

An apparent change in the direction of the poem, caused by a change in the observational position of the reader. [51]

To eat, and grow, and change. [61]

(that moment stretching) [45]

What you want is that, present or absent, [I]ts status is certain. [3]

Acknowledge the potential for failure. [18]

Concurrent Read Exclusive Write [16]

As you turn the pages,



























paths cleave, encountering your immobile form. [28]

In the garden of forking paths, you appear always to move forward. [4]

The machine above the human. [10]

Biding time, until the day all circuits complete. [32]

The machine as psychoanalyst. [30]

The machine copied, [40]

The poem continues: [28]

But in fact it is the garden that moves. [38]

Or, perhaps motion is an illusion, as in the case of the book that reads you at its leisure. [7]

The author intervenes. [54]

It is the intrusion of the author. [7]

An angel arrives. [49]

If only I knew what you wanted. [29]

What you know does not matter, even if you knew. [45]

What you want is meaning, a difference between [I]ts presence and [I]ts absence. [24]

Ten words and three numbers. [14]

Amphimixis [46]

Trying to tell you something. [9]

A consuming fire. [29]

What you will never know. [48]

The cliché that you call your soul. [63]

My ribs are splayed open like wings. [64]

And believe that you see something. [47]

A castle of sand. [2]

The book that you read, seeking something. [60]

What you want is to proceed, in some fashion: through the book, through the poem, through the world: and for this procession to seem motivated, to possess or develop meaning. [39]

I am going to persist
in this evasion. [13]

"The entire current 'psychological' situation is characterized by this short-circuit." [14]

"inanimate things existed before living ones" [49]

There would be singing and whirring in the streets. [17]

The machine that will never think. [4]

The human above the machine. [40]

The machine continues, and breaks down. [32]

The work of art in the age of mechanical reduction. [62]

The universe as one machine among many. [32]

The machine as psychosis. [5]

Get these 86 letters. [18]

Concurrent Read Concurrent Write [11]

Tesseract [62]

The pages of the book. [16]

They are broken and repaired. [13]

"Neither the book nor the sand has any beginning or end." [57]

Those who neglect the poem. Unaware of its existence; or, if aware, unable to process it efficiently. [8]

Lest thine own self be true. [7]

They are defeated by a virus. [12]

If the book is in your eye, you are also the book. [31]

An ethics in which the artist is perceived as enemy. [39]

If you are going to insist
on a poem, [1]

The Book of Glass. [21]

[F]ACE [31]

An aesthetics in which the audience is perceived as enemy. [4]

Reconsider your position. [17]

The machine we believe will never think. [26]

"the machine is in the machine" [33]

The desire: to work, to perform the task for which it was designed. [50]

Clothing the Word in flesh, so that it might finally die. [63]

My spine is broken. [1]

The Book of Fire. [17]

The machine that, thinking, chooses suicide. [37]

The [ ] is the machine. [49]

These broken hands moving, turning over. [4]

The human and the machine as symbiotic, cyborg. [35]

The cyborg as perfection. [62]

The architecture of your memory. [40]

You continue, and break down. [27]

that you need to live [16]























Statistics

  • DNA Strain: 1087021087
  • Length: 74 lines long.
  • Most Frequented Subset: 4

Permalink this DNA Strain

Methodology

Colophon

This online application automatically generates rule-abiding nonlinear readings of Ex Machina, as originally written by Jonathan Ball, whose first print edition was published by BookThug in 02009.

This literary stress-test assists in performing a qualitative analysis under the following hypothesis: nonlinear constructions of Ex Machina are semantically and poetically inferior to the first linear construction. The methodology is adjustable due to lack of instruction in the original text, but the current simulation available is limited due to media porting instability. (In this case, a textuality deficiency with regards to physical media.)

The equivalent null-hypothesis would therefore state that rule-abiding nonlinear structures would make an equal or greater amount of sense as a linear reading of the original manuscript.

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