What You Want From The World Is For It To Exist Beyond Your Death, To Provide Context.

the ink bedding [17]

The machine that, thinking, chooses suicide. [37]

The [ ] is the machine. [49]

There would be singing and whirring in the streets. [17]

The machine we believe will never think. [26]

"the machine is going to be perfect" [36]

The machine spawns new machines. [5]

Read the instruction and decode it. [13]

"[T]here is no a priori improbability in the descent of conscious (and more than conscious) machines from those which now exist, except that which is suggested by the apparent absence of anything like a reproductive system in the mechanical kingdom. This absence however is only apparent, as I shall presently show." [15]

"The machine world reciprocates man's love by expanding his wishes and desires, namely, in providing him with wealth." [26]

"the machine is the measure of all things" [30]

reproduces. [36]

(while in secret new machines produce new needs) [11]

Tesseract [18]

Exclusive Read Exclusive Write [1]

The Book of Glass. [21]

[EFF]ACE [19]

The capacity to punish. [42]

Order as arbitrary. [47]

Options exist. [3]

Do not operate without. [14]

Amphimixis [46]

Trying to tell you something. [9]

A consuming fire. [29]

What you will never know. [48]

Light behind the screen. [22]

and recombining [62]

The computation of parallel problems, the differing solutions. [11]

Tesseract [12]

A parallax machine, which produces parallaxes. [55]

The direction of the force. [18]

Concurrent Read Exclusive Write [16]

They are broken and repaired. [13]

"The entire current 'psychological' situation is characterized by this short-circuit." [14]

"inanimate things existed before living ones" [49]

The risen stone, the shriven God. [59]

Parallel vibrations, in dissimilar universes. [45]

What you want is meaning, a difference between [I]ts presence and [I]ts absence. [24]

Ten words and three numbers. [14]

Apomixis [23]

An I [16]

As you turn the pages,



























paths cleave, encountering your immobile form. [28]

But in fact it is the garden that moves. [38]

Or, perhaps motion is an illusion, as in the case of the book that reads you at its leisure. [7]

It is all a dream. [28]

In the garden of forking paths, you appear always to move forward. [4]

The illuminated book, painted with metal and bound in skin. [43]

The poem, in its variations, multiplies, mutates into greater, more complex forms. [23]

A. I. [33]

The tension: between the desire for life and the desire to break down, grinding away at some purpose. [60]

What you want from the world is for it to exist beyond your death, to provide context. [25]

the paper prepared [2]

The book the bacteria write in your bones. [8]

Let thine own self be true. [54]

It is the intrusion of the author. [7]

You are a character in this book. [39]

If you are going to insist
on a poem, [1]

The Book of Fire. [17]

The machine that will never think. [4]

The human and the machine as symbiotic, cyborg. [35]

The cyborg as perfection. [62]

The cathedrals, the pillars, the halls. [64]

You turn the page. [1]

The Book of Sand. [2]

The book that you write, to discover. [52]

A parallel, yet uneven, processing. [48]

Stained glass. [24]

An inventory of imagined stock. [34]

(i) lack of resources [19]

The formation of weapons. [53]

Always wanting to know, to delve deeper. [45]

What you want is that, present or absent, [I]ts status is certain. [3]

When I looked at the sky, I saw clouds forming chains. [63]

My ribs are splayed open like wings. [64]

But are mistaken. [1]























Statistics

  • DNA Strain: 5624385624
  • Length: 76 lines long.
  • Most Frequented Subset: 1, 14, 17

Permalink this DNA Strain

Methodology

Colophon

This online application automatically generates rule-abiding nonlinear readings of Ex Machina, as originally written by Jonathan Ball, whose first print edition was published by BookThug in 02009.

This literary stress-test assists in performing a qualitative analysis under the following hypothesis: nonlinear constructions of Ex Machina are semantically and poetically inferior to the first linear construction. The methodology is adjustable due to lack of instruction in the original text, but the current simulation available is limited due to media porting instability. (In this case, a textuality deficiency with regards to physical media.)

The equivalent null-hypothesis would therefore state that rule-abiding nonlinear structures would make an equal or greater amount of sense as a linear reading of the original manuscript.

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